Northern Wisdom

The greatest thing about Northern Exposure was that it was a series that simply should not have worked. The fish-out-of-water premise is solid enough, but the Kaufmanesque, profoundly bizarre and ahead-of-its-time eccentricities in every other specific should have left it dead in the water, an unpleasant blotch of debris that never had any cohesion to rely on. And yet, as if by magic, the ship floats, the show engages and a miracle takes place: we learn to love it. Northern Exposure is a clanking, Wells era contraption that somehow still manages to fly, and on the strength of this simple boost of faith proceed to tear up the sky.

Few would argue with the series' own analyst and philosopher, worldly ex-con and radio personality Chris Stevens, when he inadvertently summarizes the series motto: "It's not the thing you fling, but the fling itself." This is the most beautiful way of contextualizing and and rationalizing Northern Exposure's dizzying depth of insanity, expressed in a quintessentially Northern Exposure decorum. But tonight my gratitude to the show's writers is caused simply by this gorgeous and poetic paraphrasing of the teachings of Friedrich Nietzsche, articulated by Chris toward the end of a dream-episode whereby Rob Morrow imagines he has a sleazy Jewish twin (played by Rob Morrow). The quote is as follows, and could stand in its beautiful blending of modernity and classic romantic philosophy to be one of my favourite quotes ever:

"It's like brother Nietzsche says: being human is a complicated gig. So give that old dark night of the soul a hug... and howl the eternal yes."

IT: The Televisual Revolution!

Through sheer will of boredom, I found myself listening the other night to the cast and crew's DVD commentary of the 1990 miniseries IT. Now, before sharing with you the delight and wonder that ensued, I must first present my opinion of the miniseries itself, which is a prerequisite for said delight and wonder.

My opinion of IT: A bit of light, Sunday night entertainment which tries so sincerely in every regard that it breaks even from it's failure to scare and its mighty fists of ham, while riding on the back of one terrific performance by Tim Curry.

According the director and cast, this production was not only the greatest experience of each of their lives, but a benchmark of television writing, a staple of filmic innovation and, in certain respect, a progressive feminist text of the highest order.

And you thought it was just a scary clown!!!